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Darkglass Electronics X7 Microtubes X7 Effect Pedal

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Darkglass Electronics X7 Microtubes X7 Effect Pedal

The Microtubes X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have.

Features

High Pass Frequency

Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition.

High Drive

Sets the amount of distortion for the high pass side.

High Level

Sets the output volume of the distorted high-pass signal.

Low Pass Frequency

Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids.

Low Comp

Sets the amount of compression for the low-pass signal.

Low Level

Sets the output volume of the low-pass signal.

Master

Sets the overall volume of the unit.

Low shelf

+-12dB @ 80 Hz

500 Hz

+-12dB

1 kHz

+-12dB

High shelf

+-12dB @ 5 kHz

Parallel Output

A passthrough for your input signal, useful for parallel processing.

Direct Output

A balanced version of the ¼” output, useful for running into PA’s or studio mixing consoles.

*Does Not Include Power Supply

.
The Microtubes X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have.

Features

High Pass Frequency

Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition.

High Drive

Sets the amount of distortion for the high pass side.

High Level

Sets the output volume of the distorted high-pass signal.

Low Pass Frequency

Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids.

Low Comp

Sets the amount of compression for the low-pass signal.

Low Level

Sets the output volume of the low-pass signal.

Master

Sets the overall volume of the unit.

Low shelf

+-12dB @ 80 Hz

500 Hz

+-12dB

1 kHz

+-12dB

High shelf

+-12dB @ 5 kHz

Parallel Output

A passthrough for your input signal, useful for parallel processing.

Direct Output

A balanced version of the ¼” output, useful for running into PA’s or studio mixing consoles.

*Does Not Include Power Supply

.
$140.00

Original: $399.99

-65%
Darkglass Electronics X7 Microtubes X7 Effect Pedal

$399.99

$140.00

Description

The Microtubes X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have.

Features

High Pass Frequency

Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition.

High Drive

Sets the amount of distortion for the high pass side.

High Level

Sets the output volume of the distorted high-pass signal.

Low Pass Frequency

Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids.

Low Comp

Sets the amount of compression for the low-pass signal.

Low Level

Sets the output volume of the low-pass signal.

Master

Sets the overall volume of the unit.

Low shelf

+-12dB @ 80 Hz

500 Hz

+-12dB

1 kHz

+-12dB

High shelf

+-12dB @ 5 kHz

Parallel Output

A passthrough for your input signal, useful for parallel processing.

Direct Output

A balanced version of the ¼” output, useful for running into PA’s or studio mixing consoles.

*Does Not Include Power Supply

.

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