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British Pedal Company Vintage Series Buzzaround Authentic Fuzz Guitar Pedal

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British Pedal Company Vintage Series Buzzaround Authentic Fuzz Guitar Pedal

Buzzaround

This is a detailed replica of the original 1965 Burns Buzzaround pedal that to many is the HOLY GRAIL OF EFFECTS.

The Buzzaround is a unique fuzz which utilised  3 x NKT213 transistors and for the first time offered a timbre control which gives different dimension to your fuzz tone. The Buzzaround also came in a unique wedge shaped casing with controls on the front. This added to the pedals uniqueness. and was most famously used by Robert Fripp.

BPC Buzzaround.

  • Folded metal casing
  • Sustain, Balance and Timbre controls
  • 3x NKT213 Transistors
  • As used by the Robert Fripp
  • Limited production
  • Certificate of authenticity
      Many people ask us how each transistor differs in tone. Everyone’s ears are different but here is our small guide

      OC75: Bright and high gain, snappy in tone, sounds raspy in a 3 transistor circuit such as the MKI.5
      OC81D: Smooth gain lots of saturation
      2G381: This is what gives the MKI its sag when you bend a note. They are key to the MKIs Tone.
      OC44: Bright and Driven Tone
      OC71: More Shrill and Glassy then an OC44
      ACY41: Bright, Raspy, and in your face (ideal for fuzz)
      2n4061: Silicon-based, used in the Shatterbox for crazy amounts of thick fuzz

        Buzzaround

        This is a detailed replica of the original 1965 Burns Buzzaround pedal that to many is the HOLY GRAIL OF EFFECTS.

        The Buzzaround is a unique fuzz which utilised  3 x NKT213 transistors and for the first time offered a timbre control which gives different dimension to your fuzz tone. The Buzzaround also came in a unique wedge shaped casing with controls on the front. This added to the pedals uniqueness. and was most famously used by Robert Fripp.

        BPC Buzzaround.

        • Folded metal casing
        • Sustain, Balance and Timbre controls
        • 3x NKT213 Transistors
        • As used by the Robert Fripp
        • Limited production
        • Certificate of authenticity
            Many people ask us how each transistor differs in tone. Everyone’s ears are different but here is our small guide

            OC75: Bright and high gain, snappy in tone, sounds raspy in a 3 transistor circuit such as the MKI.5
            OC81D: Smooth gain lots of saturation
            2G381: This is what gives the MKI its sag when you bend a note. They are key to the MKIs Tone.
            OC44: Bright and Driven Tone
            OC71: More Shrill and Glassy then an OC44
            ACY41: Bright, Raspy, and in your face (ideal for fuzz)
            2n4061: Silicon-based, used in the Shatterbox for crazy amounts of thick fuzz

              $379.99
              British Pedal Company Vintage Series Buzzaround Authentic Fuzz Guitar Pedal
              $379.99

              Description

              Buzzaround

              This is a detailed replica of the original 1965 Burns Buzzaround pedal that to many is the HOLY GRAIL OF EFFECTS.

              The Buzzaround is a unique fuzz which utilised  3 x NKT213 transistors and for the first time offered a timbre control which gives different dimension to your fuzz tone. The Buzzaround also came in a unique wedge shaped casing with controls on the front. This added to the pedals uniqueness. and was most famously used by Robert Fripp.

              BPC Buzzaround.

              • Folded metal casing
              • Sustain, Balance and Timbre controls
              • 3x NKT213 Transistors
              • As used by the Robert Fripp
              • Limited production
              • Certificate of authenticity
                  Many people ask us how each transistor differs in tone. Everyone’s ears are different but here is our small guide

                  OC75: Bright and high gain, snappy in tone, sounds raspy in a 3 transistor circuit such as the MKI.5
                  OC81D: Smooth gain lots of saturation
                  2G381: This is what gives the MKI its sag when you bend a note. They are key to the MKIs Tone.
                  OC44: Bright and Driven Tone
                  OC71: More Shrill and Glassy then an OC44
                  ACY41: Bright, Raspy, and in your face (ideal for fuzz)
                  2n4061: Silicon-based, used in the Shatterbox for crazy amounts of thick fuzz

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